The average response time for submissions is between 1 and 6 months. If you have not received a response after 6 months, please check on the status of your submission in Submittable. If you encounter any problems, email us at interns.bwr@gmail.com.

We do not consider previously published work.

Simultaneous submissions are welcome. Please tell us if it is a simultaneous submission, and notify us immediately if the work is accepted elsewhere.

Please do not mix genres in the same submission. Our online issue is currently an exception to this rule.

Past contributors and contest winners, please wait three years from the date of your publication to resubmit work.

Past contributors and contest winners to the print journal may submit after waiting only one year to the online journal. Past contributors to the online journal should also wait a year before submitting to the print journal. We view these journals as separate creatures, having meaningful conversations late into the night.

You may submit to both the online and the print journal. 

Students, faculty, staff, and administrators currently or formerly (within four years) affiliated with the University of Alabama are ineligible for consideration or publication.

We especially strive to magnify voices that are traditionally and systemically silenced. Writers of color, queer and trans writers, disabled writers, immigrant writers, fat writers and femmes: you are welcome and wanted here.

 

We encourage you to read Black Warrior Review before submitting. Sample issues are available for $12; one-year subscriptions for $20.

Each entry comes with a one-year subscription to BWR. The entry fee covers a packet of up to three poems.

DO NOT PUT YOUR NAME OR ANY IDENTIFYING INFORMATION ANYWHERE ON THE SUBMISSION.

Paul Tran is the recipient of the Ruth Lilly & Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation and Discovery/Boston Review Poetry Prize. Their work appears in The New Yorker, Poetry Magazine, and elsewhere, including the Netflix movie Love Beats Rhymes with Azealia Banks, Common, and Jill Scott. They’re the first Asian American since 1993 to win the Nuyorican Poets Cafe Grand Slam, placing top 10 at the Individual World Poetry Slam and top 2 at the National Poetry Slam. Paul is the 2019-2020 Senior Poetry Fellow in the Writing Program at Washington University in St. Louis and the Poetry Editor at The Offing Magazine, which won a Whiting Literary Magazine Award from the Whiting Foundation.

Each $30 entry comes with a one-year subscription to BWR. The $20 entry fee does not include a subscription. The entry fees cover a packet of up to three poems.   


DO NOT PUT YOUR NAME OR ANY IDENTIFYING INFORMATION ANYWHERE ON THE SUBMISSION.

Paul Tran is the recipient of the Ruth Lilly & Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation and Discovery/Boston Review Poetry Prize. Their work appears in The New Yorker, Poetry Magazine, and elsewhere, including the Netflix movie Love Beats Rhymes with Azealia Banks, Common, and Jill Scott. They’re the first Asian American since 1993 to win the Nuyorican Poets Cafe Grand Slam, placing top 10 at the Individual World Poetry Slam and top 2 at the National Poetry Slam. Paul is the 2019-2020 Senior Poetry Fellow in the Writing Program at Washington University in St. Louis and the Poetry Editor at The Offing Magazine, which won a Whiting Literary Magazine Award from the Whiting Foundation.

Each entry comes with a one-year subscription to BWR. The entry fee covers one 7,000 word prose submission.


DO NOT PUT YOUR NAME OR ANY IDENTIFYING INFORMATION ANYWHERE ON THE SUBMISSION.


Lucy Corin is the author of the short story collections One Hundred Apocalypses and Other Apocalypses (McSweeney’s Books) and The Entire Predicament (Tin House Books) as well as a novel, Everyday Psychokillers: A History for Girls (FC2). Writings have appeared in American Short Fiction, Conjunctions, Harper’s Magazine, Ploughshares, Bomb, Tin House Magazine, and the most recent New American Stories anthology from Vintage. She was an American Academy of Arts and Letters Rome Prize winner and an NEA fellow in literature. The Swank Hotel, her second novel, is forthcoming from Graywolf. She lives in Berkeley, California.

Each $30 entry comes with a one-year subscription to BWR. The $20 entry fee does not include a subscription. Entry fees cover one 7,000 word prose submission.

DO NOT PUT YOUR NAME OR ANY IDENTIFYING INFORMATION ANYWHERE ON THE SUBMISSION.


Lucy Corin is the author of the short story collections One Hundred Apocalypses and Other Apocalypses (McSweeney’s Books) and The Entire Predicament (Tin House Books) as well as a novel, Everyday Psychokillers: A History for Girls (FC2). Writings have appeared in American Short Fiction, Conjunctions, Harper’s Magazine, Ploughshares, Bomb, Tin House Magazine, and the most recent New American Stories anthology from Vintage. She was an American Academy of Arts and Letters Rome Prize winner and an NEA fellow in literature. The Swank Hotel, her second novel, is forthcoming from Graywolf. She lives in Berkeley, California.

Each entry comes with a one-year subscription to BWR. The entry fee covers one 7,000 word prose submission.

DO NOT PUT YOUR NAME OR ANY IDENTIFYING INFORMATION ANYWHERE ON THE SUBMISSION.

Mayukh Sen is a James Beard Award-winning food and culture writer in New York. His writing has appeared in The New York Times, the New Yorker, the Washington Post, and elsewhere. He is an Adjunct Professor at the NYU Journalism school, where he teaches food writing. He won the 2018 James Beard Award for Profile for his piece on Princess Pamela, published in Food52. He was nominated for the 2019 James Beard MFK Fisher Distinguished Writing Award for his piece on Maya Angelou’s food writing, published in Poetry Foundation. He won the 2019 IACP Award for Narrative Food Writing for his story on Felipe Rojas-Lombardi, published in TASTE; this story was also selected for The Best American Food Writing 2019. He is currently writing a book of narrative nonfiction, to be published by W.W. Norton & Company in Fall 2021, on the immigrant women who shaped food culture in America. He’s been profiled in and featured by V Magazine, Condé Nast Traveller India, ELLE India, The Observer Food Monthly, and a number of other publications. He is 28. He got his BA at Stanford. He lives in Williamsburg, Brooklyn.

Each $30 entry comes with a one-year subscription to BWR. The $20 entry fee does not include a subscription. Entry fees cover one 7,000 word prose submission.

DO NOT PUT YOUR NAME OR ANY IDENTIFYING INFORMATION ANYWHERE ON THE SUBMISSION.

Mayukh Sen is a James Beard Award-winning food and culture writer in New York. His writing has appeared in The New York Times, the New Yorker, the Washington Post, and elsewhere. He is an Adjunct Professor at the NYU Journalism school, where he teaches food writing. He won the 2018 James Beard Award for Profile for his piece on Princess Pamela, published in Food52. He was nominated for the 2019 James Beard MFK Fisher Distinguished Writing Award for his piece on Maya Angelou’s food writing, published in Poetry Foundation. He won the 2019 IACP Award for Narrative Food Writing for his story on Felipe Rojas-Lombardi, published in TASTE; this story was also selected for The Best American Food Writing 2019. He is currently writing a book of narrative nonfiction, to be published by W.W. Norton & Company in Fall 2021, on the immigrant women who shaped food culture in America. He’s been profiled in and featured by V Magazine, Condé Nast Traveller India, ELLE India, The Observer Food Monthly, and a number of other publications. He is 28. He got his BA at Stanford. He lives in Williamsburg, Brooklyn.




DO NOT PUT YOUR NAME OR ANY IDENTIFYING INFORMATION ANYWHERE ON THE SUBMISSION.

C Pam Zhang’s debut novel, How Much of These Hills Is Gold, is forthcoming in April 2020 from Riverhead Books in the US and Virago Press in the UK. It is an Indies Introduce pick. Born in Beijing but mostly an artifact of the United States, Zhang has lived in thirteen cities across four countries and is still looking for home. She currently lives in San Francisco and also online: cpamzhang.com.

This category is for those buying a gift submission or donating an entry into our contest. 

Each entry comes with a one-year subscription to BWR for the donor and the writer receiving the donation. The entry fee covers one 7,000 word prose submission or a packet of up to 3 poems pieces for someone else.

If you are gifting a contest submission, in the cover letter please write the contact information of the recipient. Email is the preferred method of contact. Our staff will contact them to let them know they have been gifted a contest entry + submission. These contest entries are still read blind. The recipient will be allowed to choose their preferred genre.  

If you are donating a contest submission, please write "DONATION" in the cover letter.

You can find more information about our contests here: http://bwr.ua.edu/submit/contest-2019

You can read more about donating a submission fee here: https://bwr.ua.edu/2019contestdonation/

A PORTFOLIO OF AFTERWORDS


Guest Edited by Renee Gladman


For this special section of Black Warrior Review, we invite you, writers at all stages of your careers, to consider the book that you’ve recently completed, that you’ve published within the past three years, or that is forthcoming within the next year: Is there one further thing you need to say, a gesture you’d like to extend to the book or to the world? Would it be of use to add something about the process, to create a reflective statement about the journey or the silence after the journey? If yes, send us your afterwords.


Guidelines:

1. We are interested in a diversity of statements. However, lyrical/meditative approaches are highly encouraged.

2. Previously unpublished texts will be prioritized in the selection process, although all afterwords will be considered.

3. Length of submission should range from 500 to 2,500 words.

4. Submissions are open to all genres.


Submissions close April 10 or when our submissions cap is hit.


This guest-edited section will appear in the next BWR print issue. All contributors will be paid for their work. 


ABOUT RENEE GLADMAN

  

Renee Gladman is a writer and artist preoccupied with crossings, thresholds, and geographies as they play out at the intersections of poetry, prose, drawing and architecture. She is the author of twelve published works, including a cycle of novels about the city-state Ravicka and its inhabitants, the Ravickians—Event Factory (2010), The Ravickians (2011), Ana Patova Crosses a Bridge (2013), and Houses of Ravicka (2017)—as well as Calamities, a collection of linked auto-essays on the intersections of writing, drawing, and community, which won the 2017 CLMP Firecracker Award for Creative Non-Fiction. Morelia, a brief crime novel was released in spring 2019. Her drawings have been collected in Prose Architectures (2017) and One Long Black Sentence, a series of white ink drawings on black paper and indexed by Fred Moten (forthcoming spring 2020). Recent essays and visual work have appeared in The Paris Review, Gulf Coast, Granta, Harper's, BOMB magazine, and n+1. She has been awarded fellowships, artist grants, and residencies from the Radcliffe Institute for Advanced Study at Harvard, Foundation for Contemporary Arts, the Lannan Foundation, and KW Institute for Contemporary Art (Berlin) among others. As a 2020 Bagley Wright Lecturer, she’ll be touring various cities in the U.S. and Canada, presenting talks on moving architectures, scoring invisibility, and drawing writing. She makes her home in New England.

$5.00 - 100.00
$5.00 - 100.00

Black Warrior Review exists in part because of your continued and generous support. Your donations here are applied directly to our endowment, which supports contributor and artist payments.

Please note that a donation through this portal will not be tax deductible. If you would like to make a tax-deductible donation to BWR, please visit this link. For submitting work to BWR, please see our other forms.

To show our gratitude for your gift at the patron ($50) and guarantor ($100+) levels, you will receive a one-year subscription and recognition in upcoming issues of BWR.

Although we usually solicit one featured artist per issue, we do welcome submissions of striking visual narratives (think: graphic novel or memoir in short form)—don’t let us overlook you. We are looking to publish one or two comics, graphic essays/stories/poems or pieces of sequential art per issue. 

We publish all graphic writing in grayscale. Submit in .jpg, .tiff, or .pdf format.

Give us what bowls over borders and bounces past boundaries like a boulder. Give us what’s so subtle it can slide into our hearts and guts with ease.

Completed, self-sufficient works only. Max 10 pages. We will consider any literary genre. Work that has already been published in its original language is highly preferred.

In your cover letter, provide an account of the text and its author, a short biography of the translator, and any other information that you deem relevant.

If possible, please include the work in the source language. It is the translator’s responsibility to secure permissions for publication.

Please wait at least one month before submitting again.

Write to managingeditor.bwr@gmail.com with any questions.

Black Warrior Review